Задание 17. Чтение. Полное понимание информации в прочитанном тексте.. ЕГЭ 2025 по английскому языку

I have a special fondness for contradiction — the apparent not-goingtogether of things I like or believe equally. For example, I love living in the city, and can’t imagine being without the energy, resources, and constant stimulation it provides. But I could say with equal conviction that I’m the happiest person when I’m far away from people, noise, and chaos, immersed in the solitude of nature. As a result, when planning a vacation, I’m never quite sure whether I want to “get away from it all” or experience the novelty and adventure of another urban area. Las Vegas, New York, and Paris are among my favorite places to visit; on the other hand, I also enjoy a meditative retreat, a long weekend in the desert, or a lazy trip through the countryside. But my very favorite place to go for peace and quiet is Saturna Island.

Perhaps I should begin with a quick geography lesson. British Columbia is Canada’s westernmost province. Its largest city, Vancouver, is on the Pacific coast. Not far off the coast — about an hour and a half by ferry — is Vancouver Island, which is an immense piece of land. On Vancouver Island you’ll find Victoria, the capital city of British Columbia, and about three-quarters of a million people. The stretch of ocean between the mainland and Vancouver Island is known as the Georgia Strait, and scattered along the 300-mile length of the strait are hundreds of smaller islands, only a handful of which are inhabited. The Gulf Islands, as they are called, have all the natural beauty typical of the Pacific Northwest, and a much more relaxed pace of life than the big cities.

Saturna is the southernmost Gulf Island, just beyond U. S. waters. Although it’s one of the larger islands at twelve square miles, it’s the least populated, with just over 300 year-round residents. It can be reached only by float plane, private boat, or ferry, but there are no direct ferry routes from the mainland. By the time you get there, you already have a sense of its remoteness. And as soon as you begin to look around, you realize you’re in a wonderfully different place.

Guidebooks sometimes describe Saturna in terms of what it doesn’t have. There are no camping facilities. There’s no town, either — just a few scattered businesses. There’s no laundromat, bookstore, movie theater, or pharmacy. And there’s no bank; by law, that would require the presence of a full-time police officer on the island, which it also doesn’t have. In this tiny rural outpost of civilization, you can find not only peace and quiet, but an amazing concentration of interesting things and people.

I distinctly remember the exact moment I got hooked on Saturna. On our first visit there several years ago, Saturna was our last stop on a tour of the Gulf Islands. We had reservations at the Breezy Bay Bed & Breakfast. When we arrived, our host, Renie Muir, showed us to our room in the 1890s farmhouse. As we walked up the stairs, we first entered a library. I just gasped — this was the room of my dreams. Dark wood, the smell of old books, and comfy chairs all around. For me, that’s heaven. I knew I had come to the right place, and as I was to discover, that room was in a way a microcosm of the entire island: a place of contemplation, interesting ideas, and a simpler, more meaningful way of life.

Outside our window was a farm. One path led down to a small beach; another led up to the top of a hill with a beautiful panoramic view. We spent many hours relaxing, exploring, reading, and talking. You may be thinking, “That’s nice, but I can relax or talk anywhere. What’s really so special about Saturna?” The best way I can think of to put it is, of all the places I’ve visited, Saturna has consistently had the highest concentration of memorable moments. Something about the place, the environment, and the people who are drawn to the island, makes it a fertile breeding ground for interesting things.

The other day I was at a restaurant with some friends, and one member of our party arrived a bit late. Before sitting down, he started heading toward the corner of the room, and when someone asked where he was going, he held up his hands and said, “Demunification.” Although I had never heard that word before, I understood immediately what he was saying: he was heading to the lavatory to wash his hands in order to “de-MUNI-fy” them — MUNI being short for San Francisco Municipal Railway, the transit authority that runs the city’s buses and streetcars. When you’re riding a bus or streetcar that’s so crowded you have to stand, you end up holding onto the handrails, which feel grimy from being handled by untold thousands of people before you. Almost everyone I know who rides MUNI habitually washes their hands as soon afterward as possible, which is probably an excellent idea.

From time to time I’m in some sort of social situation where a handshake is expected, but my hands are not necessarily clean. This always makes me feel awkward — it’s one thing to decline a handshake when my hands are covered with motor oil or pastry flour, but in the absence of visible contaminants, North Americans typically consider it an insult not to accept a handshake. Not that I’m hypersensitive about germs, but this made me wonder: considering the wide range of alternatives, how did the handshake come to be the standard greeting in this society?

I’ve read at least half a dozen contradictory accounts of the origin of the handshake. Because handshakes clearly predate written history, all these explanations are ultimately somewhat speculative. But the most popular story is that an open right hand showed you were not carrying a weapon; if two men met and displayed empty right hands, this presumably meant a basic level of trust existed that neither would stab the other. In one variant of this story, the handshake evolved from an elbow-to-wrist “patdown” to check for hidden knives; in another, the shaking motion was supposed to dislodge any sharp objects that may have been kept in the sleeve.

Meanwhile, the “I’m-not-going-to-stab-you” story doesn’t tell us why the handshake won out over other greeting gestures in the West. After all, in some cultures the standard greeting (even between people who don’t know each other well) is a kiss on one or both cheeks; in others, people hug, rub noses, bow, or even stick out their tongues. I suggest one possibility. At one time the English were more demonstrative with their gestures of greeting — for example, English men routinely greeted all women with a kiss. As part of the Victorian behavioral “reforms,” public kissing of any kind became socially unacceptable and the handshake came into fashion for both men and women as a convenient way to keep a person at arm’s length. So to speak.

At least in the United States, the handshake has become an extremely ambiguous symbol. At one level, it just means “hello” or “goodbye.” But it can also be construed to mean “we’re in agreement” or even that an informal contract has been reached.

Of course, business types will read all sorts of meaning into the very style of your handshake. Even if you execute it under exactly the right circumstances, it must be firm but not too firm; it must be held for exactly the right amount of time but no longer; it must be accompanied by direct eye contact; and, for bonus sincerity points, you should add your left hand to make a “hand sandwich.” You may also be judged on the angle of your hand and the number and intensity of shakes.

So then, how do we convey all those extra meanings that are supposed to be encoded in a handshake? My advice is to do what our parents told us when we were three years old: “Use your words.”

My decision to re-think my consumer habits and become more eco conscious was an awareness that grew slowly over time. It was an accumulation of noticing rubbish strewn around the city, seeing videos on the effect of plastic pollution on our oceans, numerous documentaries and books and the infamous Blue planet II. It finally culminated with the realisation that the cheap synthetic material involved in fast fashion, the rows and rows of plastic film covering items on the supermarket shelf, the takeaway cutlery, and every disposable coffee cup you see in the hands of people in the city, cannot be recycled and are therefore going straight to landfill or to be incinerated.

Plastics can stay around for up to 450 years, releasing toxins into the environment and breaking down into smaller pieces which pollute our oceans and harm birds and marine life. I quickly realised that the throw away culture and the plastic waste epidemic that is destroying the world’s oceans and finding its way back to us through the food chain wasn’t just happening ‘elsewhere’ – the Emerald Isle was just as much a part of the mess and what’s more we were all contributing to it! But why? How had it come to this and why wasn’t this being talked about?

I knew that I had to make a change and transform my consumer habits so that I could begin as much as possible, to lessen my negative impact on this beautiful planet. I decided to start with my personal contribution to landfill waste and began to reduce the amount of items in plastic packaging that I bought, seeking biodegradable and compostable options, or simply no packaging at all, as well as durable and recyclable replacements such as glass and stainless steel.

Our current linear economy where we endlessly “make, use, and dispose” and intentionally construct products ‘designed for the dump’ is creating global depletion of natural resources and over accumulation of waste which is detrimental to our environment, our wildlife and our health. We want to create a more sustainable circular economy where items are designed and manufactured to last and then kept in use for as long as possible by repairing them, reusing, upcycling, sharing, or repurposing them and at the end of their life, when they are completely exhausted, the individual parts can be used again to make something else or otherwise biodegrade harmlessly back into the earth.

Fast Fashion has a big environmental impact which includes worker exploitation, chemical pollution and depletion of natural resources. Synthetic fibres also don’t biodegrade and are derived from coal and petroleum products. Globally we consume 80 billion new pieces of clothing each year, this is 400% more than we consumed 20 years ago and we are discarding them even faster.

We need to take back our consumer power and start talking about the impact our throwaway culture is having on the planet. Each one of us can make a difference and if we engage and empower our families, friends and communities and through this begin to influence local government and businesses, small changes can lead to big ones!

I am interested in minimalism, that is all about owning only what adds value and meaning to your life, zero waste and in becoming part of a circular economy where things are built to last, where we can reduce the over consumption that is draining the earth’s resources and polluting our oceans, and instead become conscious consumers, where we value and take responsibility for our possessions, and repair, swap, thrift, upcycle or recycle rather than throw away.

By Joshua Marks

While 97 percent of climate scientists agree that climate change is occurring and greenhouse gas emissions are the main cause, political measures will have not been strong enough so far to initiate a massive policy shift away from fossil fuels and toward sustainable forms of energy. Perhaps more extreme weather events such as droughts, wildfires, heat waves and flooding will convince the public to put more pressure on policymakers to act urgently to curb carbon emissions and address this issue before it’s too late.

Air pollution and climate change are closely linked, as the same greenhouse gas emissions that are warming the planet are also creating smoggy conditions in major cities that endanger public health. If you’ve seen horrifying images of pollution-choked Chinese cities and think the smog is isolated to Beij ing or Shanghai, think again. U. S. scientists are finding that Chinese pollution is intensifying storms over the Pacific Ocean and contributing to more erratic weather in the U. S.

Water and soil pollution might not get the media attention that air pollution does, but they are still important public health concerns. According to the Natural Resources Defense Council, dirty water is the world’s biggest health risk. While the Clean Water Act did much to make American water safe from harmful pollutants, today there is a new threat to clean water coming from the shale gas fracking boom taking place across the country.

Soil contamination is a major issue across the world. In China, nearly 20 percent of arable land has been contaminated by toxic heavy metals. Soil pollution threatens food security and poses health risks to the local population. The use of pesticides and fertilizers are also major factors in soil pollution.

Forests are important to mitigating climate change because they serve as “carbon sinks,” meaning that they absorb CO2 that would otherwise escape into the atmosphere and worsen global warming. It is estimated that 15 percent of total greenhouse gas emissions come from deforestation. Cutting down trees also threatens animals and humans who rely on healthy forests to sustain themselves, and the loss of tropical rainforests is particularly concerning because around 80 percent of the world’s species reside in these areas. About 17 percent of the Amazon rainforest has been cut down in the past 50 years to make way for cattle ranching.

As the population increases and climate change causes more droughts, water scarcity is becoming more of an issue. Only three percent of the world’s water is fresh water and 1.1 billion people lack access to clean, safe drinking water. As the current drought in California dramatically shows, access to water is not just an issue for developing countries but the United States as well. In fact, by the middle of this century more than a third of all counties in the lower 48 states will be at higher risk of water shortages with more than 400 of the 1,100 counties facing an extremely high risk.

Increasing human encroachment on wildlife habitats is causing a rapid loss of biodiversity that threatens food security, population health and world stability. Climate change is also a major contributor to biodiversity loss, as some species aren’t able to adapt to changing temperatures. According to the World Wildlife Fund’s Living Planet Index, biodiversity has declined 27 percent in the last 35 years.

The first Wednesday in every month was a Perfectly Awful Day — a day to be awaited with dread, endured with courage and forgotten with haste. Every floor must be spotless, every chair dustless, and every bed without a wrinkle. Ninety-seven squirming little orphans must be scrubbed and combed and buttoned into freshly starched ginghams; and all ninety-seven reminded of their manners, and told to say, 'Yes, sir,' 'No, sir,' whenever a Trustee spoke.

It was a distressing time; and poor Jerusha Abbott, being the oldest orphan, had to bear the brunt of it. But this particular first Wednesday, like its predecessors, finally dragged itself to a close. Jerusha escaped from the pantry where she had been making sandwiches for the asylum's guests, and turned upstairs to accomplish her regular work. Her special care was room F, where eleven little tots, from four to seven, occupied eleven little cots set in a row. Jerusha assembled her charges, straightened their rumpled frocks, wiped their noses, and started them in an orderly and willing line towards the dining-room to engage themselves for a blessed half hour with bread and milk and prune pudding.

Then she dropped down on the window seat and leaned throbbing temples against the cool glass. She had been on her feet since five that morning, doing everybody's bidding, scolded and hurried by a nervous matron. Mrs. Lippett, behind the scenes, did not always maintain that calm and pompous dignity with which she faced an audience of Trustees and lady visitors. Jerusha gazed out across a broad stretch of frozen lawn, beyond the tall iron paling that marked the confines of the asylum, down undulating ridges sprinkled with country estates, to the spires of the village rising from the midst of bare trees.

The day was ended — quite successfully, so far as she knew. The Trustees and the visiting committee had made their rounds, and read their reports, and drunk their tea, and now were hurrying home to their own cheerful firesides, to forget their bothersome little charges for another month. Jerusha leaned forward watching with curiosity — and a touch of wistfulness — the stream of carriages and automobiles that rolled out of the asylum gates. In imagination she followed first one equipage, then another, to the big houses dotted along the hillside. She pictured herself in a fur coat and a velvet hat trimmed with feathers leaning back in the seat and nonchalantly murmuring 'Home' to the driver. But on the door-sill of her home the picture grew blurred.

Jerusha had an imagination — an imagination, Mrs. Lippett told her, that would get her into trouble if she didn't take care — but keen as it was, it could not carry her beyond the front porch of the houses she would enter.

Poor, eager, adventurous little Jerusha, in all her seventeen years, had never stepped inside an ordinary house; she could not picture the daily routine of those other human beings who carried on their lives undiscommoded by orphans.

Je-ru-sha Ab-bott, you are wanted in the office, And I think you'd better hurry up!

Tommy Dillon, who had joined the choir, came singing up the stairs and down the corridor, his chant growing louder as he approached room F. Jerusha wrenched herself from the window and refaced the troubles of life.

'Who wants me?' she cut into Tommy's chant with a note of sharp anxiety.

Mrs. Lippett in the office, And I think she's mad. Ah-a-men!*

Four grunts, an indignant voice asking why nobody could leave a hat alone, a slammed door, and Mr Packington had departed to catch the eightforty- five to the City. Mrs Packington sat on at the breakfast table. Her face was flushed, her lips were pursed, and the only reason she was not crying was that at the last minute anger had taken the place of grief.

"I won't stand it," said Mrs Packington. "I won't stand it!" She remained for some moments brooding, and then murmured: "The minx. Nasty sly little cat! How George can be such a fool!"

Anger faded; grief came back. Tears came into Mrs Packington's eyes and rolled slowly down her middle-aged cheeks.

"It's all very well to say I won't stand it, but what can I do?"

Suddenly she felt alone, helpless, utterly forlorn. Slowly she took up the morning paper and read, not for the first time, an advertisement on the front page.

"Confidential

Are you happy? If not, consult Mr Parker Pyne, 17 Richmond Street".

"Absurd!" said Mrs Packington. "Utterly absurd." Then: "After all, I might just see…"

Which explains why at eleven o'clock Mrs Packington, a little nervous, was being shown into Mr Parker Pyne's private office.

As has been said, Mrs Packington was nervous, but somehow or other, the mere sight of Mr Parker Pyne brought a feeling of reassurance. He was large, not to say fat; he had a bald head of noble proportions, strong glasses and little twinkling eyes.

"Pray sit down," said Mr Parker Pyne. "You have come in answer to my advertisement?" he added helpfully.

"Yes," said Mrs Packington, and stopped there.

"And you are not happy," said Mr Parker Pyne in a cheerful, matter-offact voice. "Very few people are. You would really be surprised if you knew how few people are happy."

"Indeed?" said Mrs Packington, not feeling, however, that it mattered whether other people were unhappy or not.

"Not interesting to you, I know," said Mr Parker Pyne,

"but very interesting to me. You see, for thirty-five years of my life I have been engaged in the compiling of statistics in a government office. Now I have retired, and it has occurred to me to use the experience I have gained in a novel fashion. It is all so simple. Unhappiness can be classified under five main heads — no more, I assure you. Once you know the cause of a malady, the remedy should not be impossible.

"I stand in the place of the doctor. The doctor first diagnoses the patient's disorder, then he proceeds to recommend a course of treatment. There are cases where no treatment can be of any avail. If that is so, I say frankly that I can do nothing. But I assure you, Mrs Packington, that if I undertake a case, the cure is practically guaranteed."

Could it be so? Was this nonsense, or could it, perhaps, be true? Mrs Packington gazed at him hopefully.

"Shall we diagnose your case?" said Mr Parker Pyne, smiling. He leaned back in his chair and brought the tips of his fingers together. "The trouble concerns your husband. You have had, on the whole, a happy married life. Your husband has, I think, prospered. I think there is a young lady concerned in the case — perhaps a young lady in your husband's office."

One was called Mrs Richman and she was a widow. The second was called Mrs Sutcliffe; she was American and she had divorced two husbands. The third was called Miss Hickson and she was a spinster. They were all in the comfortable forties and they were all well off.

Mrs Sutcliffe had the odd first name of Arrow. When she was young and slender she had liked it well enough. It suited her and the jests it occasioned though too often repeated were very flattering; she was not disinclined to believe that it suited her character too: it suggested directness, speed, and purpose.

She liked it less now that her delicate features had grown muzzy with fat, that her arms and shoulders were so substantial and her hips so massive. It was increasingly difficult to find dresses to make her look as she liked to look. The jests her name gave rise to now were made behind her back and she very well knew that they were far from obliging. But she was by no means resigned to middle age. She still wore blue to bring out the colour of her eyes and, with the help of art, her fair hair had kept its lustre.

What she liked about Beatrice Richman and Frances Hickson was that they were both so much fatter than she, it made her look quite slim; they were both older and much inclined to treat her as a little young thing. It was not disagreeable. They were good-natured women and they chaffed her pleasantly about her beaux; they had both given up the thought of that kind of nonsense, indeed Miss Hickson had never given it a moment's consideration, but they were sympathetic to her f lirtations. It was understood that one of these days Arrow would make a third man happy.

'Only you mustn't get any heavier, darling,' said Mrs Richman.

'And for goodness' sake make certain of his bridge,' said Miss Hickson.

They saw for her a man of about fifty, but well-preserved and of distinguished carriage, an admiral on the retired list and a good golfer, or a widower without encumbrances, but in any case with a substantial income. Arrow listened to them amiably, and kept to herself the fact that this was not at all her idea. It was true that she would have liked to marry again, but her fancy turned to a dark slim Italian with flashing eyes and a sonorous title or to a Spanish don of noble lineage; and not a day more than thirty. There were times when, looking at herself in her mirror, she was certain she did not look any more than that herself.

They were great friends, Miss Hickson, Mrs Richman, and Arrow Sutcliffe. It was their fat that had brought them together and bridge that had cemented their alliance. They had met first at Carlsbad, where they were staying at the same hotel and were treated by the same doctor who used them with the same ruthlessness. Beatrice Richman was enormous. She was a handsome woman, with fine eyes, rouged cheeks, and painted lips. She was very well content to be a widow with a handsome fortune. She adored her food. She liked bread and butter, cream, potatoes, and suet puddings, and for eleven months of the year ate pretty well everything she had a mind to, and for one month went to Carlsbad to reduce.

Mackintosh went into the dining-room and turned over once more the old newspapers. But he could not read them. The house was very still. Walker was upstairs in his room asleep, the Chinese cook was busy in the kitchen, the two policemen were out fishing. The silence that seemed to brood over the house was unearthly, and there hammered in Mackintosh's head the question whether the revolver still lay where he had placed it. He could not bring himself to look. The uncertainty was horrible, but the certainty would be more horrible still. He sweated.

At last he could stand the silence no longer, and he made up his mind to go down the road to the trader's, a man named Jervis, who had a store about a mile away. He was a half-caste, but even that amount of white blood made him possible to talk to. He wanted to get away from his bungalow, with the desk littered with untidy papers, and underneath them something, or nothing. He walked along the road.

As he passed the fine hut of a chief a greeting was called out to him. Then he came to the store. Behind the counter sat the trader's daughter, a swarthy broad-featured girl in a pink blouse and a white drill skirt. Jervis hoped he would marry her. He had money, and he had told Mackintosh that his daughter's husband would be well-to-do. She flushed a little when she saw Mackintosh.

'Father's just unpacking some cases that have come in this morning. I'll tell him you're here.'

He sat down and the girl went out behind the shop. In a moment her mother waddled in, a huge old woman, a chiefess, who owned much land in her own right; and gave him her hand. Her monstrous obesity was an offence, but she managed to convey an impression of dignity. She was cordial without obsequiousness; affable, but conscious of her station. 'You're quite a stranger, Mr Mackintosh. Teresa was saying only this morning: "Why, we never see Mr Mackintosh now."'

He shuddered with disgust a little as he thought of himself as that old native's son-in- law. It was notorious that she ruled her husband, notwithstanding his white blood, with a firm hand. Hers was the authority and hers the business head. She might be no more than Mrs Jervis to the white people, but her father had been a chief of the blood royal, and his father and his father's father had ruled as kings.

The trader came in, small beside his imposing wife, a dark man with a black beard going grey, in ducks, with handsome eyes and flashing teeth. He was very British, and his conversation was slangy, but you felt he spoke English as a foreign tongue; with his family he used the language of his native mother. He was a servile man, cringing and obsequious.

'Ah, Mr Mackintosh, this is a joyful surprise. Get the whisky, Teresa; Mr Mackintosh will have a gargle with us.'

He gave all the latest news of Apia, watching his guest's eyes the while, so that he might know the welcome thing to say.

'And how is Walker? We've not seen him just lately. Mrs Jervis is going to send him a sucking-pig one day this week.'

'I saw him riding home this morning,' said Teresa.

'Here's how,' said Jervis, holding up his whisky.

Most of us would confess to have a soft spot for these charismatic birds. Penguins spread across our daily lives, featuring on items such as biscuit wrappers and book covers through to Christmas and birthday cards, as well as starring in animations on cinema and television screens. We focus on their comedic waddle, their flightless vulnerability, their enduring parental care in the frozen tundra. Who could fail to care for these birds? But for those still unsure of a penguin’s charm, there is one woman in particular who could change their minds. Her name is Dyan deNapoli, whose infectious passion for protecting penguins has earned her the moniker, ‘The Penguin Lady’. She is a penguin expert and educator. Dyan is on a mission to raise awareness and help to save these very special and endangered birds. And it all began after being surrounded by penguins at Boston’s New England Aquarium, when she became smitten and captivated by their antics.

But it requires a lot of dedication — saving penguins is rewarding and stressful in equal measure. Chicks need feeding every few hours with freshly prepared and specialised food, and constantly weighed to monitor their growth. Dyan has spent many nights awake with worry; life is tenuous for young animals and penguin chicks are no exception. But her dedication to save these birds is vital because of the severe conservation status of many penguin species.

It's a worrying possibility as penguins, as we all know, aren’t usual birds: they’re flightless, spend long periods of time in the water chasing food, are long-lived and take months to raise chicks; all features that make them very susceptible to natural and man-made disasters. Crucially, penguins have important — even critical — roles to play in the ecosystem of the ocean and on land. There are 18 recognized species of penguins in the world today, with 13 of them currently in trouble.

But it’s much more than these birds’ loveable nature and striking good looks that makes deNapoli so passionate about penguins. She has been extremely concerned about threatened and endangered species since childhood. “When I learned about the conservation status of most penguin species, I became determined to educate the public about them.” And as most species have seen a 50–95% decline over the last 50–100 years, there is plenty to worry about — especially when it's known that healthy populations of penguins mean healthy oceans.

On rocky shores, beaches, coastal forests, and sea-ice penguins come ashore to breed and raise their young. And here some populations are still at risk from egg poaching, habitat loss, and human disturbance. Being flightless they are particularly vulnerable to introduced predators, such as rats, cats and foxes, that shouldn’t naturally be there. It is the main problem.

Dyan has first-hand experience of the devastating impact of oiling on these seabirds. There have been many tragic examples to deal with, but perhaps the most notable, she says, occurred in 2000 when an ore carrier called the MV Treasure sank off the coast of Cape Town, South Africa spilt more than 1,300 tonnes of oil into the ocean. It threatened a large proportion of the endangered African penguins and prompted an international rescue mission involving 12,500 volunteers, who were quickly on scene. It was a crisis that deNapoli couldn’t ignore and rushed to the affected area, where she worked as a supervisor and bird rehabilitation manager on this historic team. Together they relocated 19,500 birds before they became oiled, and cleaned and nursed back to health 91% of the 20,000 birds that were actually affected by the oil.*

I’ve never entirely understood radio. As in: why do so many people have a radio on so much of the time? That’s a habit I never got into, and the whole concept of radio as an always-on background noise strikes me as odd, if not downright annoying. I love listening to music, but I prefer to pick my own tunes and play them when I’m able to pay attention to them. Besides, if I’m looking for audio, the Internet offers me a much wider range of choices than terrestrial or satellite radio stations do. As a result, I couldn’t tell you the first thing about my local radio stations: their frequencies, call letters, or what sorts of programming they offer.

When I was growing up in western Pennsylvania, however, I had a somewhat greater awareness of radio stations — particularly during the winter months, when we’d listen eagerly on snowy mornings to find out if school had been cancelled that day. The station we usually listened to was KDKA, which happened to be both the first commercial radio station in the country and a notable exception to the rule that all radio stations in the eastern U. S. had call letters that started with W. I always had the vague idea that these two facts had something to do with each other, but as a habitual non-radio listener, I never thought that much about it. It turns out that not-thinking-that-much-about-it was a prominent theme in the history of radio call letters.

Around the turn of the 20th century, radio was brand new and was originally used as a wireless telegraph, with messages transmitted in Morse code. To shorten the number of dots and dashes needed to identify each party, operators of radio stations on both ships and land adopted the practice already common in telegraphy to begin messages with short (oneto three-letter) identifiers — call letters (or call signs). Without a central authority to hand out call letters, users chose their own, and frequently chose ones already in use. By 1906, an international convention established that every station should have a unique, three-letter call sign, but left vague the matter of how that uniqueness was to be ensured.

To help eliminate the confusion, the Bureau of Navigation, part of the U. S. Department of Commerce, began assigning three-letter call signs to American ships in early 1912, using the K prefix for ships on the Atlantic and Gulf coasts and W for ships on the Pacific coast and the Great Lakes; the reasons for choosing K and W, if any, are unknown. Shortly thereafter, at the London International Radiotelegraphic Convention, ranges of letters were assigned to each of the participating nations; in addition to W and most of the K range, the U. S. got the N prefix (to be used only by the navy).

In the late 19th century and the first decade and a half or so of the 20th, call signs for both ships and land-based stations had only three letters. But as the number of ships and stations increased, the pool of available combinations began to run out. Adding a fourth letter was the obvious solution, though if a ship sank or was otherwise put out of commission, its call sign was sometimes “recycled” by a land-based station. By 1930, only four-letter call signs were available. Meanwhile, authority to assign call letters moved in 1927 from the Bureau of Navigation to the newly formed Federal Radio Commission, which was replaced by the Federal Communications Commission in 1934.*

On a few evenings when we were living in San Francisco, we were startled to hear a long succession of enormously loud booming noises. We went outside to investigate. The sky was clear, we didn’t see any lights to suggest explosions, and everyone seemed to be going about their business without worrying about the strange sounds, so we presumed we were simply unaware of some normal occurrence. The source, on further investigation, turned out to be fireworks — sometimes they were coming from the baseball stadium. What amazed us, though, was that the spots where these fireworks were being set off were miles away from us and over a hill — far enough that we couldn’t catch even a glimpse — and yet from the volume we would have thought they were going off right over our heads.

Today’s interesting thing is a phenomenon consisting of similarly mysterious booming noises, but without such a ready explanation. The most generic term I could find for such sounds is mistpouffers (spelled “mistpoeffers” in Belgium and the Netherlands). In various areas they go by such diverse terms as “Guns of the Seneca” (near Seneca Lake and Cayuga Lake in New York), “Barisal guns” (in Bangladesh), “uminari” (in Japan), “fog guns,” “lake guns,” and many others. In all these instances, the terms describe a sound or series of sounds that resemble loud but distant cannon fire, usually heard near the edge of a large body of water. The sounds occur when there are no storms in the vicinity that could produce thunder and no other obvious source. Sometimes they’re accompanied by a rumble that can be felt strongly enough to shake plates and hanging pictures; other times no vibration is felt.

The fact that such sounds have been reported for centuries means that proposed explanations such as artillery tests and sonic booms are not entirely satisfying. Earthquakes and volcanoes, on the other hand, can certainly produce loud booming sounds. If the atmospheric conditions are right and the sound is loud enough, it can travel enormous distances; the 1883 eruption of Krakatoa in Indonesia was heard at least 3000 miles away. However, one would expect that if seismic activity were the cause, it would be on a newsworthy scale, and therefore easily connectable to the sounds. That doesn’t seem to be the case with mistpouffers, and they’re also too frequent to make this a really good answer.

I’ve read a number of theories having to do with escaping gases, the idea being that for one reason or another a giant gas bubble is released from the sea floor, floats up to the surface, and then makes a huge “pop”; this is thought to explain why the sounds are usually heard near water and results in the evocative name “lake farts.” The gas-bubble idea strikes me as distinctly silly. If this were truly the cause, surely there’d be innumerable reports of people sighting such bubbles popping on the water’s surface — passengers in nearby ships would be stunned by the noise — and that would be that.

The leading theory about the sounds is disappointingly mundane: the source is thought to be thunder (or, in some cases, explosions of one sort or another) whose sound travels a long way simply because atmospheric and topographic conditions happen to be just right. This seems eminently plausible: if a volcano could be heard thousands of miles away, undoubtedly the sound from a thunderstorm far out over the sea could carry from beyond the horizon. There is a bunch of math and atmospheric science that seems to support this explanation, and while the details are a bit opaque to me, I feel confident that we need not appeal to invisible alien spacecraft, the footsteps of the gods, or other such fanciful causes.

I confess that I am something of a fan of the Swedish home furnishings store IKEA, having spent countless hours wandering its shiny showrooms in different countries. I always feel like I’ve found a tiny corner of Sweden wherever I happen to be in the world.

For years I had noticed that horses, and red horses in particular, were a common decorative motif in IKEA products, whether appearing twodimensionally on pillows or rugs, or as carved decorative figures gracing elegant bookshelves. I’ve only recently learned the significance of these tiny horses, and the centuries of history they represent. I thought IKEA was a popular symbol of Sweden, but the Dalahäst (or Dalecarlian) horse is a much more ancient and enduring one. Created in the Swedish province of Dalarna (Dalecarlia in English), the painted wooden horse has become a potent icon of Swedish culture.

Horses are an integral part of the history of Sweden, having deep cultural and religious significance. It is believed that horses were first introduced to Sweden around 2000 B.C., when nomads invaded the area, overpowering the local inhabitants with their superior military capabilities—including their horsemanship. Horses soon became a valuable asset in farming and forestry for the region.

The religious symbolism of the horse is long-standing in Sweden; not only was the horse the sacred animal of the religion of the Vikings, but it was celebrated in Norse mythology as well. Horses were associated with the gods, most notably with Odin, who was said to have an eight-legged horse named Sleipner, given to him by the trickster figure Loki.

When Christianity was introduced to Sweden in the 11th century, church leaders worked to discourage horse worship among the people, teaching that the horse was unclean, as were the practices associated with it. The ongoing struggle between the church and local custom can be seen in two separate incidents from the 17th century. In 1624, Bishop Johannes Rudbeckius of Västerås, the diocese city of Dalarna, gave a sermon denouncing the selling of certain “articles of destruction” in the market, a list that included wooden horses. Forty years later, during a witchcraft trial in Dalarna, the parish priest accused those on trial of using a “baror,” a magic wooden object in the shape of an animal (possibly a horse).

Despite these negative reactions to wooden horses, they seemed only to grow in popularity in the following years. In the 18th century, men working in the forests of Dalarna would carve wooden horses as a leisure activity and give them to children back in the village. By the 19th century, painted wooden horses were a common item of trade, often used by traveling salesmen as payment for room and board on their journeys. Created primarily in the villages around the town of Mora, these horses were painted with a floral design, reflecting the general decorative style of the time. This pattern of decoration eventually developed into the kurbits (or ripple) style of painting, which continues to this day.

Now produced only in the town of Nusnäs by two companies, the Dalahäst remains a popular icon of Sweden, often given as a gift (as when the Swedish Prime Minister presents them to foreign heads of state). Crafted from premium pine timber found in the forests surrounding Lake Siljan, the horses undergo a multi-step process, from felling the tree through hand carving, various stages of hand-painting, sanding, and varnishing. The finished product is stunning, a beautiful tribute to the long and intimate relationship between horses and humans in Sweden.

A few years ago on a family trip to Europe, we had the chance to spend an afternoon in Geneva, Switzerland, and despite limited time, we hoped to see as many of the city’s iconic sights as possible. Alas, our timing was off : the European headquarters of the United Nations, the Palais des Nations did not accept visitors over the lunch hour (right when we showed up at the gates), and more surprisingly, the famous Jet d’Eau (“water-jet”), a fountain rising 140 meters from Lake Geneva, was closed for repairs. All was not lost, however, as we consoled ourselves with wine, chocolates, and souvenir shopping.

In 2003, two years after our visit to Geneva, the hours of operation for the Jet d’Eau were expanded, and it is now possible to see it in action all year long. This daily consistency calls to mind the Jet d’Eau’s nonmechanical predecessor, the geyser, which similarly releases water and steam at regular intervals. However, while the Jet d’Eau is the result of human ingenuity, geysers are the product of extremely rare circumstances, and once damaged, cannot be repaired so easily.

Although, like most people, I had heard of geysers before, it was not until I looked more closely at their workings that I realized how unique they are among geological formations. For a geyser to become active and stable, four conditions must be met. The first thing required is a geothermal heat source, most often provided by underground volcanic activity. Second, there must be a reservoir of water available. Third, a geyser requires a certain kind of rock, which when exposed to water, can develop the pressure- and water-tight seal that is necessary for the proper functioning of a geyser. The fourth requirement is a constriction in the geyser formation near the surface, which allows pressure to build up below it until the geyser erupts. The life cycle of a geyser begins when water seeps into the ground from the surface (because of rain) or from underground reservoirs, eventually sinking deep enough to reach a layer of hot rock. This water is slowly heated and gathers at the bottom of the geyser channel, while colder water enters the channel from above, and sits on top of the warmer water. The pressure of the cold water prevents the warm water from boiling, although it continues to become super-heated. When the pressure becomes too great, the hot water turns to steam and pushes the colder water out of the channel. This reduces the pressure further, producing even more steam. This whole cycle can take 500 years, which means the water rushing from a geyser today may have fallen as rain during the 16th century.

One of the most famous geysers in the world is Old Faithful in Yellowstone National Park, which gets its name from its consistent schedule; it erupts on average every 91 minutes. Every geyser has its own schedule, based on its unique conditions. Even slight changes to the water supply or the rock formation can adversely affect the fragile balance of a geyser. Some are caused by natural processes, such as volcanic activity, but increasingly, geysers are threatened by human interference.

Of course, geysers can become dormant for many reasons, and their fragility is part of their rarity; it takes a lot to create a geyser, and just as much to keep it going. They are truly scientific marvels, and worthy of being protected as much as possible, not only for their entertainment value, but for what they tell us about long-term geological processes.

Several years ago, a Swiss friend of mine told me excitedly about a new theme park that was under construction near the city of Interlaken. He sent me a magazine article about it, and even went so far as to buy me a stock certificate for the park, giving me some trivial sliver of ownership in this hot new property.

Ever since then, Mystery Park has been on my list of things to write about, but for one reason or another it had never managed to percolate up to the top of the list until now. Which is a pity: the park closed permanently on November 19, 2006, due to a shortage of visitors (and, therefore, money). Mystery Park was the brainchild of Erich von Däniken, a Swiss author perhaps best known for his 1968 book ‘Chariots of the Gods?’, which alleged that aliens visited Earth thousands of years ago, bringing with them the technology needed to create such artifacts as the Nazca lines, the Antikythera mechanism, the pyramids in Egypt, and the statues on Easter Island. Although the book was popular, no one with any scientific credentials took it seriously, and von Däniken was immediately pigeonholed as, shall we say, a fringe theorist.

The lack of credibility didn’t stop von Däniken from authoring more than two dozen additional books and selling tens of millions of copies worldwide. After a few decades as a bestselling author, von Däniken had some cash to play with, and he decided to design a theme park that would explore the world’s great mysteries. Not just any mysteries, of course, but those for which von Däniken implied the answer “aliens did it.” The park, built on the site of a former military air base, would be an interactive, hands-on way to spread his ideas in the guise of history, science, and entertainment.

The park, which was tiny as theme parks go, consisted mainly of seven pavilions or “theme worlds” arranged in a ring. An elevated sphere in the center of the park served as an observation tower.

Although von Däniken repeatedly asserted that the park’s goal was to provide questions, not answers, he certainly tried to steer visitors toward accepting his interpretations of things. He helped design the attractions, sold his books at the park, maintained an office on the premises, and regularly interacted with visitors. Critics pointed to his well-known biases as a reason the park didn’t draw more people; even to the extent that some of the exhibits were reasonably objective, skeptical would-be visitors frequently assumed they’d be getting a full dose of UFO mania and little more.

After trying unsuccessfully to stave off creditors for months, the park eventually declared bankruptcy and closed. Analysts blamed everything from an underperforming stock market to the fact that the exhibits never changed, discouraging repeat visits. But a large part of the reason for the park’s failure seems to have been that there’s only so much to say about von Däniken’s theories and so many people who will listen to them, no matter how entertaining the multimedia presentations may be for their kids. There’s still a chance, however remote, that the park may reopen at some point—under new management, presumably, and with significant changes.

As for the content, what can I say? I liked ‘The X-Files’; conspiracy theories and stories of alien visitors are nothing if not entertaining. But I enjoy those stories as fiction, and I hope I know enough to separate entertainment from reality. It sounds to me as though that’s exactly where von Däniken failed with his Mystery Park. Or it might have been sabotaged by aliens. You just never know.